No hay artículos en el carro
No hay artículos en el carroMiguel Ángel Roldán Carballo
Reseñado en España el 25 de mayo de 2023
Uno de los mejores libros que conozco para aprender a tocar solfeo con la guitarra. Utiliza un método estupendo para aprender todas las notas del diapasón.
Normal Human
Reseñado en Canadá el 27 de marzo de 2023
This book is for those who can already play guitar (rock, blues, metal, etc.) and are willing to put in the effort to learn to read music. The preface states that it assumes the reader has been playing guitar for at least two years but has no serious background in reading music.The author, David Oakes, does a couple of things differently than other books on learning to read music for guitar. First, it starts with the fifth position and spends the first four chapters working from that position. I found that intuitive - if you have a background in rock or blues, you've probably spent a lot of time in fifth position, and the notes in fifth position are centred on the musical staff without too many ledger lines. Most books seem to start in the open position. Second, the book has a fair bit of rhythm work including exercises clapping or tapping out beats to a metronome. The rhythms in each chapter are pretty challenging and a good workout. One review complained about the rhythm exercises, but I think they're important as dealing with non-simple rhythms is an essential aspect of reading. These sections need to be taken seriously and practised diligently. Third, the book focuses on reading single-note lines, played pick-style, to the exclusion of chords. There are chord charts, and the book discusses the conventions of chord charts and has the progression for some of the melodies played, but no pieces with chords interspersed with single notes (as would be found in all classical repertoire books). That's an interesting choice which I think is meant to be responsive to the kinds of music-reading situations most pro guitarists for whom this is written (originally MI students) are likely to find themselves.You can't just look at this book and become a good music reader. You'll have to spend a lot of time working through it methodically and practising the pieces to develop those skills. And then keep reading regularly to develop and maintain reading ability. But I think that's true of any approach to learning to read music.
Toni
Reseñado en España el 14 de junio de 2016
Se trata de una versión reducida del temario del MI para la asignatura de lectura a primera vista. Buena organización y lecturas estimulantes.
Lovecraftian
Reseñado en Alemania el 4 de mayo de 2016
Ich habe das Buch während meines Studiums benutzt, denn das Material dahin wird so tatsächlich auch am MI benutzt. Nein, das Buch hat keine beiliegende CD, keine DVD, keine Bilder berühmter Gitarristen. Dafür ist es voll mit tollen Erklärungen und Übungen, angefangen von wirklich ganz rudimentären Übungen zum Lesen einfacher Rhythmen und Notenlängen, die man dann klatschen soll.Nach und nach kommen dann verschiedene Notenhöhen hinzu, das Spiel in der fünften Lage beginnt mit einer Mischung aus Übungen, selbst geschriebenen kurzen Stücken und bekannten Melodien z.B. aus der Klassik.Das Durcharbeiten erfordert sicher einiges an Zeit (obendrein ist das Buch in englischer Sprache verfasst), und natürlich reicht das Lesen nicht, sondern man muss regelmäßig konzentriert die Übungen machen, aber dabei helfen Erklärungen und Übungen im Buch enorm.Bisher habe ich kein vergleichbar gut geschriebenes und aufgebautes Buch zum Thema gefunden, denn immerhin ist das Notenlesen auf der Gitarre allein schon wegen Lagen nicht unbedingt einfach.Klare Empfehlung, sofern man willens ist, mit einem englischen Buch zu arbeiten.
shweta
Reseñado en India el 22 de agosto de 2015
Good
Trotamundos
Reseñado en España el 1 de noviembre de 2013
Es un gran libro, si lo terminas dedicándole tiempo a cada lección habrás avanzado una barbaridad, y conseguirás sentirte un poco más cercano a otros músicos en el sentido de que serás capaz de leer y tocar partituras sin necesidad de tablaturas, lo cual te fuerza a practicar ritmo, lectura, y lo que para mi ha sido muy importante: las notas en el mástil, lo que suele ser un punto débil en los guitarristas modernos que están empezando ;)
G. Wajnglas
Reseñado en Francia el 30 de julio de 2012
Après avoir essayé quelques autres méthodes pour la lecture à vue pour la guitare, je pense que celle-ci est la meilleure. Les exercices sont progressifs, on lit d'abord dans la position 5, puis en open position, etc. en s'attardant suffisamment sur les différentes positions, avec différentes armures à la clé. Bien sûr il n'y a pas de miracle et ce n'est pas en un mois que vous saurez lire, ceci prend du temps et il faut pratiquer régulièrement, mais j'ai fait de bons progrès en travaillant cette méthode.Un bémol cependant : ce livre ne traite pas de la lecture des accords, or c'est un sujet important. Peut-être qu'implicitement on pense qu'en sachant lire en single-notes la lecture en accord en découle ? Je n'ai pas assez d'expérience pour juger mais ça ne me semble pas être le cas.Quelques conseils du type telle position est plutôt adaptée à tel type armure (à dièse ou à bémol), que je n'avais vu nul part ailleurs.Bonne musique
Jose
Reseñado en España el 29 de diciembre de 2012
It is exactly what you need if you want to learn music reading applied to the guitar, maybe I miss an audio cd, however is a broad and comprehensive book. The only bad thing Hal Leonard publications is poor finishing
Chris Downing
Reseñado en el Reino Unido el 8 de junio de 2003
I'd guess this is the way most professionals approach playing music - that is, "Don't learn all the notes in all the positions, play certain keys in certain positions where they are easiest, get the whole picture into a workable form ASAP, and focus your practice". As good as you'll get in one book....but plenty more to work on once you have these basics in the old noggin! But this is a great place to start. But you'll still need plenty of standard notation work to practice on - but that stuff you can get from the library anyway - this is the book that will centre you on the 'what and how' in a structured methodology.I use this as support material when teaching Guitar as it's the best I've found on the subject. I also like William Leavitt's books on reading and if you can still get it the Arnie Berle one on sight reading is one that takes a much more linear approach and gets you thinking outside of the traditional first 5 frets - but,if you still want a really traditional approach (learn the hell out of the first 5 frets and then move on up) I'd suggest you also use either Mel Bay's Modern Guitar method books (7 in the series - not so modern as they were originally written in 1948! But still good for learning music), or William Bay's Mastering the Guitar (5 in the series). Don't bother with the CD versions if your using them to learn music - that's exactly what your trying to get away from; TAB and listening to CDs.
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