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Simon Rattle y la Filarmónica de Berlín han grabado el ballet más realizado de todos los tiempos, El cascanueces de Tchaikovsky. El lanzamiento marca la primera grabación de Tchaikovsky del conductor. Esta grabación también presenta una aparición de la banda de chicos Libera.
El Cascanueces es un ballet de dos actos, compuesto por Pyotr Ilyich Tchaikovsky en 1891. Desde entonces se ha convertido en una tradición navideña en muchos países del mundo.
Simon Rattle es un director de orquesta galardonado y director principal y director artístico de la orquesta de la Filarmónica de Berlín.
Opinión
Lista de canciones:
1. Miniature Overture
2. No. 1 - The Decoration of the Christmas Tree
3. No. 2 - March
4. No. 3 - Children's Galop and Entry of the Parents
5. No. 4 - Arrival of Drosselmeyer
6. No. 5 - Scene - Grandfather's Dance
7. No. 6 - Clara and the Nutcracker
8. No. 7 - The Battle
9. No. 8 - In the Pine Forest
10. No. 9 - Waltz of the Snowflakes
Disco 2
1. No. 10 - The Kingdom of Sweets
2. No. 11 - Clara and the Prince
3. Chocolate: Spanish Dance
4. Coffee: Arabian Dance
5. Tea: Chinese Dance
6. Trepak: Russian Dance
7. Dance of the Reed Pipes
8. Mother Gigogne
9. No. 13 - Waltz of the Flowers
10. No. 14 - Pas de deux
11. Variation I: Tarantella
12. Variation II: Dance of the Sugar-Plum Fairy
13. Coda
14. No. 15 - Final Waltz and Apotheosis
Santos
Reseñado en España el 15 de febrero de 2025
Bueno
giovanni
Reseñado en Italia el 7 de enero de 2025
massima professionalità, tempestività, serietà. Ringrazio.
Aline D.
Revisado en Bélgica el 9 de febrero de 2024
Ik heb deze lp 2x moeten retourneren omdat geen van beide platen wilde afspelen. De platen bleven bij vele tracks hangen wat zeer irritant en zonde van het geld is. Het ligt niet aan mijn platenspeler want ik kan mijn andere lp's wel vlot laten spelen.De 2de lp die ik had besteld was nog slechter dan de eerste (waar de hoes beschadigd in de folie zat). Deze platen waren gloednieuw, maar helaas hebben ze een productiefout waardoor ze haperend afspelen.
Catherine F.
Reseñado en el Reino Unido el 24 de octubre de 2024
Happy with the quality of this used CD - and a good price
camilo vazquez hervas
Reseñado en España el 29 de octubre de 2022
me ha gustado todo
S. Jakob
Reseñado en Alemania el 25 de febrero de 2021
Das Produkt überzeugt mich auf ganzer Linie: Simon Rattle und die Berliner Philharmoniker liefern ganze Arbeit. Für mich ist das die (im Gegensatz zu Previns Arbeit mit den Londoner Symphonikern) farbenfrohere, lebendigere Aufnahme, was vielleicht einerseits am Datum der Aufnahme liegen mag, aber ganz sicher auch am Können Rattles. Die Aufnahme hat eine Dynamik ohne zu nerven. Die Orchesterleistung ist wahnsinnig klar und präzise. Verglichen mit den Winterthurern und Walter Goehr auf jeden Fall vorzuziehen.Die Aufmachung der CD ist ebenfalls toll umgesetzt und geht konsequenterweise mit dem gemalten Titelbild den Tschaikowski-Epigonen bei Disney entgegen (was ich in diesem Fall passend finde). Das Inlay hat ein paar warme Worte Rattles für Tschaikowskis Werk übrig. Mir gefällt es sehr gut und es war definitiv das Geld wert!
Andrew R. Barnard
Reseñado en Estados Unidos el 29 de noviembre de 2010
Rattle has often been accused of fussiness, of letting the line drag to the point where the charm is lost. There's few works that ask for as much charm as Tchaikovsky's Nutcracker, which probably causes some justified apprehension on the part of those who are looking into this disc. I can see where the albums' critics are coming from, simply because Rattle doesn't succeed in matching the sprightly balletic qualities that other great conductors have been able to pull out of the work, particularly Dorati and Bychkov. Rattle offers wonderful big sound, phenomenal first desk playing (particularly from oboist Albrecht Mayer), and EMI's sonics are top notch.But beyond these perhaps technical details, Rattle's approach differs in many ways from the other versions I own, namely Gergiev/Kirov, Dorati/Concertgebouw, and Bychkov/Berlin, in addition to Bernstein/New York, Rostropovich/Berlin, and Lazarev/Bolshoi in the suite. Rattle takes more time than most, allowing him to uncover aspects of the score that often slip by in other conductor's hands. As alluded to earlier, Rattle is less concerned with being balletic than probably all the aforementioned version, something which is most keenly felt in such numbers as the "Overture" and "March". But even there, Rattle imparts a wistful nostalgia that holds one's attention, although I still feel that he doesn't match competition. It's in the numbers that ask for more than amusement where Rattle really finds his place. After hearing his version of "The Waltz of the Snowflakes", "The Arabian Dance", "The Waltz of the Flowers", and "Pas de Deux", my other versions seem dull in comparison. Rattle finds an inner beauty in these numbers that is breathtaking. "Pas de Deux" eerily prophesies of what was to come in the "Pathetique", making for a highly logical, yet unfamiliar perspective.When it's all said and done, it's the beauty of the Berliners' tone that makes this disc extra special. Rattle uses his orchestra as a vehicle to display a vast palate of gorgeous colors, making for very festive music. Those wanting a Nutcracker to keep them on the go will meet certain disappointment, but for those who are willing to take the time, this new Rattle version is one of the best.
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