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Aguilar - TONE HAMMER - preamplificador de bajo

Envío gratis en pedidos superiores a 25.99€

404.79€

99 .00 99.00€

En stock

Acerca de este producto

  • Inspirado en el famoso preamplificador OBP-3, ofrece barrido de medios además de controles de graves, medios y agudos. Gracias a su salida Direct Input, puedes estar preparado para cualquier eventualidad en el escenario o en el estudio.
  • Para que este pedal sea lo más versátil posible, Aguilar ha integrado un circuito especial, el circuito AGS: Adaptive Gain Shaping. Permite al bajista añadir ganancia extra y EQ simplemente accionando un interruptor. Puedes pasar de un sonido slap moderno a un sonido vintage o overdrive.
  • Como funciona con 18 voltios, el Tone Hammer es muy flexible y puede reproducir los estilos de interpretación más dinámicos. Los controles separados de ganancia y master te permiten encontrar la cantidad ideal de ganancia para cada instrumento.
  • Alimentación: pila de 9 V, adaptador de red opcional



Peter B
Reseñado en Canadá el 13 de diciembre de 2023
I loved the unit. Didn't keep it, as it didn't provide the overdrive sound I was looking for.Other than that, and the fact that it needs an 18V power source, it was excellent.Still considering getting it as a secondary DI/Pre amp for my set up.
Julie Bertholon
Reseñado en Francia el 23 de enero de 2020
La qualité Auiglar, très solide, réglages simples mais précis, donne de l'épaisseur et de la consistance au son.
Michael T Ivey
Reseñado en Canadá el 2 de febrero de 2018
Its effects are similar to "having your brains smashed in by a slice of lemon wrapped round a large gold brick".
Brian Warthen
Reseñado en Estados Unidos el 12 de noviembre de 2018
This is one of those products that just plain works, all the time! I have some great sounding basses but somehow they all sound just a little clearer and puncher through the Tone Hammer. I'd rate the sound at 10 stars if I could but I do have 2 issues that I think could be improved on. The AGS is a great sounding distortion but kicking it on makes the signal much louder, there's no way I can use it as an added effect, it either has to be on or off the entire time. I really wish there was an output level control to be able to match levels with the clean signal. The other issue I have is small but still ... the face plate overhangs the body of the pedal by a little bit on the rear and (especially) the front of the pedal, I can't see any benefit to this and it makes an already large pedal just a bit larger still on a pedalboard. I know that Aguilar has corrected this on some of their other pedals, I'm hoping they'll do the same on the Tone Hammer but it'll come too late for me. Nevertheless, this is a must-have pedal for me. I use it in front of my Epifani amp on my live rig and direct to the mixer on my church gig. It's also really handy when there's a rented backline or when I'm using someone else's rig, I can always have the control I need over my sound regardless of what amp I'm using.
PhillyB
Reseñado en Estados Unidos el 30 de agosto de 2013
Just started using this yesterday Nice warm sound in my opinion. I plan on using this with any Amp I encounter on the road through the effects loop and bypassing the Amp X's Preamp. I tried it at a rehearsal today with a amp with out a effects loop with just a taste of gain and it gave the amp and extra warmth. Also sounds great through my Apogee Duet and Mackie Monitors. I'll get a chance to use in a large venue this weekend cant wait. I'm using it with a Sadowsky 24- 5 NYC.UpdateUsed the Tone Hammer at a large venue and it worked great. I used it through the effects loop of the house amp a Ampeg SVT bypassing the Ampeg preamp. I had a few effect pedals before the Tone Hammer and I should have put them after. Even with the effects bypassed the sound of the Tone Hammer is affected. I would normally put effects after the Tone Hammer if I were to run it to a amps input.Update #2After doing a 3 nights at a club this weekend I used the Tone Hammer plugging it in my small combo amps input and setting the amps EQ flat. It really sounded great.
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